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antique shinto kamidana shrine with lucky gods ebisu and daikoku, spiritual home decor
antique shinto kamidana shrine with lucky gods ebisu and daikoku, spiritual home decor
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A perfect addition to your spiritual space, this quaint rustic antique Shinto shrine, made to be placed on the kamidana (god shelf), houses the lucky god Ebisu and Daikoku. This charming hand crafted god house embodies the essence of Shinto folk faith, creating an atmosphere of serenity in your home. A meaningful decor piece, that not only celebrates traditional Japanese beliefs but also invites blessings into your home.
A kamifuda, or paper representing a clan deity, or god from one of the national Shinto shrines was placed in the shrine on the kamidana (god shelf) for daily worship. In addition to this kami (god), particularly in the country houses of farmers, fishermen, merchants and craftsmen, other lucky gods (engimono) were often enshrined. It was not unusual for houses to even have two separate kamidana; the regular kamidana and an engidana (lucky god shelf). Candles were lit and daily offerings and prayers for good fortune, prosperity, good health and the happiness of the household were made at the kamidana.
A quaint pair of antique money boxes in the shape of the Japanese lucky gods Ebisu and Daikoku rest on a small stand inside is shrine. The money boxes are made of a heavy cast metal with nice attention to detail. Originally gold, they have a lovely darkened patina, a result of the soot from the wood fire in the kitchen where the kamidana was usually placed. There is a slit at the back for putting in money and a screw cover at the base for taking out the savings. Ebisu wears his peaked hat and holds a fishing rod and a big snapper, a very lucky fish in Japan. The cheerful, chubby Daikoku stands on two big bales of rice and has a large bag full of gold coins slung over his shoulder. He carries a magic mallet said to fulfill wishes. The money boxes are in good antique condition with some scratches and wear, but no splits in the metal work.
The shrine is roughly made from a light hinoki (Japanese cypress) wood. It has the rounded roof, common to Ebisu and Daikoku shrines and is embellished with a chrysanthemum mon at the top. Pretty wood cut-outs decorate the upper corners of the open space. The shrine is in good structural condition with some wood shrinkage at the back, a small hole in the roof, a piece of wood missing from the bottom right corner and the knocks and dents that come with age. This does not distract from its wonderful folk craft mingei charm.
- shrine measures around 32.5 cm (12.8”) tall x 38 cm (15”) across x 13 cm (5.1”) deep.
- gods measure around 9 cm (3.5”) tall x 5.5 cm (2.2”) across.
- weighs 1,200 gm.
(listing for god house with Ebisu and Daikoku)
SHIPPING INFORMATION
- please read our shipping policy.
- we use recycle packaging wherever possible and wrap for safety, rather than appearance!
ABOUT OUR VINTAGE, ANTIQUE AND OTHER ITEMS
We list pieces we feel are worthy of display. There may be scratches, dents, fading and signs of wear and tear. We try to explain the condition of each item exactly, but may miss something.
Information regarding the item and it’s age is obtained from dealers and our personal research. We do our best to give you the correct information but please be aware that we cannot guarantee this information.
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KAMIDANA
Kamidana, literally god (kami) shelf (dana) are miniature household altars used to place an enshrined Shinto kami (god). The enshrined kamifuda (board or paper, representing the god) was that of a clan deity or came from one of the major national shrines. Kamidana became popular in traditional country style minka houses.
Small shrines for tutelary deities, inside a residence, go back to ancient times among the aristocracy. The emergence of the kamidana was closely connected with the development of the domestic Buddhist altar or butsudan, which started the movement of conducting religious rituals in each household.
Kamidana were initially set up to keep Jingu Onusa, charms of the Grand Shrine of Ise, when they began to be widely distributed at the end of the Muromachi period. The Jingu Onusa symbolized Amaterasu Omikami and were considered objects of worship. A special domestic shelf, to respect these charms, was installed and was called Jingu no tana, or shelf of the Grand Shrine. By the mid-Edo era, the institution of the kamidana had spread to most homes as a result of the spread of this Ise cult.
The most common style of kamidana was a plain board forming a shelf, supported by cantilevered brackets from beneath, or stabilized with timber hangers, suspended from the beams above. On this shelf a miniature Shinto shrine was installed to contain the kamifuda. This shrine could be elaborate in design, but unlike the miniature shrine cabinet, or zushi, of the Buddhist altar, the timber was unlacquered. In days gone by, shrines for the kamidana were very expensive for common country people and they were often hand made, by the owner, giving them a lovely rough, simple and rustic appeal.
Kamidana were most often located in a high place, thought to be closest to the heavens and gods, in an area close to an earth floor. As old country kitchens had an earth floor and were a place where many people gathered, they were perfect for the kamidana and prayer. Candles were lit and offerings of rice, fruit, fish, rice and wine were made daily.
Particularly in the homes of farmers, fishermen, merchants and other craftsmen, additional deities with combined Shinto and Buddhist identities found their way to the kamidana. Ebisu and Daikoku-dana were popular. Ebisu, the god of fishing and Daikoku, the god of farming, were particular favorites amongst country folk, whose livelihood depended on agriculture and the ocean. Ebisu and Daikoku were often housed together in a special shrine with a rounded roof, and came to be known as the kitchen gods. Kojin-dana was another popular choice. Kojin was the god of domestic tranquility and good fortune. Inari-dana were also seen. Inari is the Japanese Shinto god who watches over and protects the rice harvest. A temporary toshitoku-dana was set up in almost all homes at the end of the year to welcome and worship the kami of the New Year.
Old Kamidana shrines are a wonderful example of Japanese mingei; a spiritual tool that reminds us of culture and customs of the past.
MINGEI
Mingei are the tools and utensils that were used daily by the common people in Japan. They were inexpensive, simple and functional. Usually produced by hand, in large quantities, their artists were anonymous. They became representative of the local area where they were produced.
The word Mingei combines “min” meaning common people and “gei” meaning art - the art of the common people. It was coined by the Japanese philosopher Sōetsu Yanagi. He found beauty in ordinary crafts for daily use and argued that true beauty could be found only in the objects made by unknown people, in a spirit of selfless innocence and in close harmony with nature.
ENGIMONO
Engimono are charms that bring good luck for such things as an abundant harvest, successful business, loving relationships or good health. Engimono are often available at New Year events in shrines and temples. They are also popular souvenirs, bought when travelling to different places in Japan. There is a variety of Engimono in different areas in Japan. These good luck charms have been passed down through history. Some popular engimono are Eto ornaments (the 12 Japanese zodiac animals), Shinobu Goma, a lucky horse for a good harvest from Iwate Prefecture and Aka Beko a red paper mache cow with a swinging head from Fukushima, thought to fend off evil and disease. Some other well known engimono are Daruma, Tanuki, Shisa and Maneki Neko.
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