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delightful antique shinto shrine with ebisu and daikoku - rustic shinto folk faith decor
delightful antique shinto shrine with ebisu and daikoku - rustic shinto folk faith decor
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Bring a piece of history into your home with this 1900’s Shinto folk faith shrine, perfect for creating a sacred space on your own kamidana (god shelf) or within your home. This antique religious decor features the lucky gods, Ebisu and Daikoku, symbolizing both prosperity and good fortune. Ideal for collectors or those seeking serenity, this shrine will enhance your home's spiritual atmosphere.
A kamifuda, or paper representing a god, from one of the national Shinto shrines was placed in the main shrine on the kamidana (god shelf) for daily worship. In addition to this kami (god) particularly in the country houses of farmers, fishermen, merchants and craftsmen, other lucky gods were often enshrined. Ebisu, the god of fishing and
Daikoku, the god of farming, were particularly favorite choices amongst country folk, whose livelihood depended on agriculture and the ocean. It was not unusual for houses to even have two separate kamidana; the regular kamidana and an engidana (lucky god shelf). Candles were lit and daily offerings and prayers for good fortune, prosperity, good health and the happiness of the household were made at the kamidana.
This simple rustic shrine is made of a light Japanese hinoki (cypress) wood. It is an open box style with a flat roof. For safety there is a hole in the top back board that was for attaching the shrine to the wall behind the very high-up, narrow kamidana shelf in the kitchen. High shelves were thought to be closer to the heavens and gods.
The gods are ittobori work, hand carved with just a chisel from a single block of wood. The sharp angular lines left by the chisel can be seen. They have darkened in color over time and have a great folk art feel. Ebisu wears a peaked hat and holds a fishing rod and a big snapper, a very lucky fish in Japan. The cheerful, chubby Daikoku stands on two big bales of rice and has a large bag full of gold coins slung over his shoulder. He carries a magic mallet.
The hand made shrine has signs of age and is roughly made with irregularities in shape, giving it a wonderful folk art appeal. Shrines and gods were very expensive for common country people so many of them were hand made by the owners themselves. The gods are in good condition with no cracks in the wood.
A beautiful blend of mingei folk art and faith from the 19th century, that will add a unique touch to your decor.
- measures around 25 cm (9.8”) tall x 29 cm (11.4”) across x 15 cm (6”) deep.
- gods measure 13 cm (5.1”) ) tall x 8 cm (3.1”) across x 6 cm (2.4”) deep.
- weighs 800 gm.
(listing for god house with two gods only)
SHIPPING INFORMATION
- please read our shipping policy.
- we use recycle packaging and wrap for safety, rather than appearance.
ABOUT OUR VINTAGE, ANTIQUE AND OTHER ITEMS
We list pieces we feel are worthy of display. There may be scratches, dents, fading and signs of wear and tear. We try to explain the condition of each item exactly, but may miss something.
Information regarding the item and it’s age is obtained from dealers and our personal research. We do our best to give you the correct information but please be aware that we cannot guarantee this information.
Please message us prior to purchase with any questions you may have about our products.
KAMIDANA
Kamidana, literally god (kami) shelf (dana) are miniature household altars used to place an enshrined Shinto kami (god). The enshrined kamifuda (board or paper, representing the god) was that of a clan deity or came from one of the major national shrines. Kamidana became popular in traditional country style minka houses.
Small shrines for tutelary deities, inside a residence, go back to ancient times among the aristocracy. The emergence of the kamidana was closely connected with the development of the domestic Buddhist altar or butsudan, which started the movement of conducting religious rituals in each household.
Kamidana were initially set up to keep Jingu Onusa, charms of the Grand Shrine of Ise, when they began to be widely distributed at the end of the Muromachi period. The Jingu Onusa symbolized Amaterasu Omikami and were considered objects of worship. A special domestic shelf, to respect these charms, was installed and was called Jingu no tana, or shelf of the Grand Shrine. By the mid-Edo era, the institution of the kamidana had spread to most homes as a result of the spread of this Ise cult.
The most common style of kamidana was a plain board forming a shelf, supported by cantilevered brackets from beneath, or stabilized with timber hangers, suspended from the beams above. On this shelf a miniature Shinto shrine was installed to contain the kamifuda. This shrine could be elaborate in design, but unlike the miniature shrine cabinet, or zushi, of the Buddhist altar, the timber was unlacquered. In days gone by, shrines for the kamidana were very expensive for common country people and they were often hand made, by the owner, giving them a lovely rough, simple and rustic appeal.
Kamidana were most often located in a high place, thought to be closest to the heavens and gods, in an area close to an earth floor. As old country kitchens had an earth floor and were a place where many people gathered, they were perfect for the kamidana and prayer. Candles were lit and offerings of rice, fruit, fish, rice and wine were made daily.
Particularly in the homes of farmers, fishermen, merchants and other craftsmen, additional deities with combined Shinto and Buddhist identities found their way to the kamidana. Ebisu and Daikoku-dana were popular. Ebisu, the god of fishing and Daikoku, the god of farming, were particular favorites amongst country folk, whose livelihood depended on agriculture and the ocean. Ebisu and Daikoku were often housed together in a special shrine with a rounded roof, and came to be known as the kitchen gods. Kojin-dana was another popular choice. Kojin was the god of domestic tranquility and good fortune. Inari-dana were also seen. Inari is the Japanese Shinto god who watches over and protects the rice harvest. A temporary toshitoku-dana was set up in almost all homes at the end of the year to welcome and worship the kami of the New Year.
Old Kamidana shrines are a wonderful example of Japanese mingei; a spiritual tool that reminds us of culture and customs of the past.
KITCHEN GODS - EBISU AND DAIKOKU
Ebisu and Daikoku are known as the lucky kitchen gods. They were placed on a shelf high up in the kitchen and given daily offerings to bring good fortune into the home.
Ebisu is known as the God of commerce and prosperity, the ocean and fishing. He is the guardian of all occupations. He holds a fishing rod in one hand and a big snapper under the other arm. A red snapper is eaten at all happy events in Japan. Ebisu will make sure you always have plenty of money, success and food.
Daikoku is the God of wealth and good fortune, and of farmers and food. He is a cheerful, chubby God, standing on bales of rice. He has a sack of treasure slung over one shoulder and a magic mallet, that fulfills all wishes, in the other hand. Put him in your home and you will always have good fortune, money and lots of food.
UCHIDE NO KOZUCHI (MAGIC MALLET)
According to legend, the ‘Uchide no Kozuchi’ is a magic hammer that can grant someone anything they wish for when struck on the ground. When shaken coins will also magically fall out of the hammer. In English, it is often called the lucky hammer or magic wishing hammer. It is believed that the hammer contains a wish fulfilling jewel called a ‘Houju.’ The Houju in Buddhism is said to grant wishes, bring peace, and an understanding of Dharma or Buddhism teachings.
The Uchide no Kozuchi is usually held by the deity "Daikoku" who is one of the Japanese seven lucky gods.
MINGEI
Mingei are the tools and utensils that were used daily by the common people in Japan. They were inexpensive, simple and functional. Usually produced by hand, in large quantities, their artists were anonymous. They became representative of the local area where they were produced.
The word Mingei combines “min” meaning common people and “gei” meaning art - the art of the common people. It was coined by the Japanese philosopher Sōetsu Yanagi. He found beauty in ordinary crafts for daily use and argued that true beauty could be found only in the objects made by unknown people, in a spirit of selfless innocence and in close harmony with nature.
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